Anarchaserver - User contributions [en]

https://alexandria.anarchaserver.org/api.php?action=feedcontributions&feedformat=atom&user=Spideralexx Anarchaserver - User contributions [en] 2026-05-17T17:17:36Z User contributions MediaWiki 1.36.1 https://alexandria.anarchaserver.org/index.php?title=Seguridad_digital/Digital_Security&diff=67 Seguridad digital/Digital Security 2014-10-08T16:01:24Z

<p>Spideralexx: </p> <hr /> <div>* EVALUATION CRITERIA BEFORE PRODUCING NEW DOCUMENTATION<br /> <br /> Don't reinvent the wheel (is it duplicating upstream work)<br /> Who's the public & what are the objectives (security & technical level)<br /> Who's behind it? (long-term project vs one shot, collaboration)<br /> Threat modelling (security is a process, not a set of tools)<br /> Maintainability (is it updated, open source, update frequency needs, etc.)<br /> Translation & translatability (tools, length, language, cultural translation, easiness to provide translation to group, etc.)<br /> User feedback & peer review, (criteria: correct, complete, up to date, translated, indicate always the last date the manual has been updated/released)<br /> Support, hotlines after reading manuals, if you still have questions<br /> Ethical/trans-queer-feminist "approved" manual<br /> <br /> * AVAILABLE DOCUMENTATION<br /> <br /> Activist security: <br /> <br /> http://www.activistsecurity.org/<br /> <br /> General security purpose off line for activists <br /> <br /> Kit didactico Genero, TIC y Activismo (Spanish and Catalan):<br /> <br /> http://www.donestech.net/files/KIT_CAST_5.pdf<br /> <br /> Been downloaded a lot, positive feed back a lot of interest from feminists in latin america, should be upated but can address a global audience.<br /> '''<br /> Radical Community Manager - basicly Twitter, Facebook and non-secure communication to reach the mainstream (Spanish):<br /> <br /> http://nocionescomunes.wordpress.com/2011/10/10/radical-community-manager-breves-nociones-para-aprender-a-comunicarse-organizarse-y-luchar-en-las-redes-2-0/'''<br /> <br /> Security in a box (Spanish):<br /> <br /> https://securityinabox.org/es<br /> <br /> Community Focus: Digital Security in Context<br /> <br /> https://securityinabox.org/communities<br /> <br /> Tools and Tactics for the LGBTI Community in the Arabic region<br /> <br /> Tools and Tactics for the LGBTI Community in sub-Saharan Africa<br /> <br /> Tools and Tactics for the Environmental Rights Defenders in sub-Saharan Africa<br /> <br /> Alternativas por prism-break (Spanish):<br /> <br /> https://prism-break.org/#e<br /> <br /> Alternativas por tactical tech (English):<br /> <br /> https://cooperativa.ecoxarxes.cat/bookmarks/view/230845/quick-guide-to-alternatives<br /> <br /> List of guides on security and alternative service providers (Spanish and English):<br /> <br /> https://www.riseup.net/es/resources<br /> <br /> https://help.riseup.net/en/security/resources<br /> <br /> https://help.riseup.net/es/security/resources/radical-servers (eng only)<br /> <br /> FLOSS manuals: Bypassing censorship (English, Spanish, and more):<br /> <br /> http://www.flossmanuals.net/bypassing-censorship/<br /> <br /> http://en.flossmanuals.net/bypassing-es/<br /> <br /> FLOSS manuals: Basic Internet Security (English):<br /> <br /> http://www.flossmanuals.net/basic-internet-security/<br /> <br /> Lilithlela cyberguerrila (English):<br /> <br /> https://lilithlela.cyberguerrilla.org/<br /> <br /> EFF surveillance toolkit (English):<br /> <br /> https://ssd.eff.org/<br /> <br /> Versión for printing: https://ssd.eff.org/book/export/html/14<br /> <br /> Guide d’autodéfense numérique (French):<br /> <br /> https://guide.boum.org/<br /> <br /> Tails documentation (English, French, and German):<br /> <br /> https://tails.boum.org/doc/<br /> <br /> Cryptoparty Handbook (German & English):<br /> <br /> http://www.cryptoparty.in/documentation/handbook<br /> <br /> Cryptoparty fork (the terms crypto and party are misunderstood):<br /> <br /> Privacy Café https://privacycafe.nl/ (Dutch)<br /> <br /> Café vie privée https://café-vie-privée.fr/ (French)<br /> <br /> Encryption Works (English and Portuguese):<br /> <br /> https://pressfreedomfoundation.org/encryption-works<br /> <br /> GPG Encryption Guide (English)<br /> <br /> http://www.tutonics.com/2012/11/gpg-encryption-guide-part-1.html<br /> <br /> 5 of the best Free Linux Encryption Tools (English)<br /> <br /> http://www.linuxlinks.com/article/2011040308270275/DiskEncryption.html<br /> <br /> Partially outdated (TrueCrypt) / mterial ranking options need to be frequently updated<br /> <br /> Comparison of disk encryption software (English, Bahasa Indonesia)<br /> <br /> http://en.wikipedia.org/wiki/Comparison_of_disk_encryption_software<br /> <br /> Not a real reference howto or article, but useful for discovering new encryption methods and tools related to them.<br /> <br /> Equalit/Frontline: Digital Security and Privacy for Human Rights Defenders (English)<br /> <br /> https://equalit.ie/esecman/index.html<br /> <br /> Security Hosting Guide from Equalit.ie<br /> <br /> https://learn.equalit.ie/wiki/Choose_a_hosting_provider<br /> <br /> Staying Safe: Security Resources for Human Rights Defenders (English): <br /> <br /> https://www.newtactics.org/conversation/staying-safe-security-resources-human-rights-defenders<br /> <br /> Your Legal Guide to Digital Security for Arab Human Rights Activists (English): <br /> <br /> http://globalvoicesonline.org/2013/04/22/your-legal-guide-to-digital-security-for-arab-human-rights-activists/<br /> <br /> "Our Right to Safety: Women human rights defenders' holistic approach to protection" (English): <br /> <br /> http://protectionline.org/2014/03/13/publication-by-awid-and-whrd-ic-our-right-to-safety-women-human-rights-defenders-holistic-approach-to-protection/<br /> <br /> PDF: http://protectionline.org/files/2014/03/our_right_to_safety_en.pdf<br /> <br /> Protection Manual for LGBTI Defenders<br /> <br /> www.eidhr.eu/files/dmfile/protection-manual-or-lgbti-defenders_en.pdf<br /> <br /> Take Back the Tech (English, Spanish, French)<br /> <br /> https://www.takebackthetech.net/<br /> <br /> https://www.takebackthetech.net/be-safe/privacy<br /> <br /> Mobiles phones security manuals<br /> -------------------<br /> <br /> Quema tu móvil (Spanish):<br /> <br /> https://quematumovil.pimienta.org/<br /> <br /> A practical guide to protecting your identity and security when using mobile phones (many languages including spanish, french, arabic, etc)<br /> <br /> https://www.wefightcensorship.org/es/article/proteja-sus-datos-y-anonimato-en-su-telacfono-ma3vilhtml.html<br /> <br /> Mobile Phone Security and Android Apps:<br /> <br /> http://en.flossmanuals.net/tech-tools-for-activism/mobile-phone-security-and-android-apps/<br /> <br /> Use mobile phones securely :<br /> <br /> https://techtoolsforactivism.org/content/use-mobile-phones-securely<br /> <br /> TextSecure manual: send encrypted SMS/text messages<br /> <br /> http://en.flossmanuals.net/basic-internet-security/ch048_tools-secure-textmessaging/<br /> <br /> Avoid fake base stations / man in the middle attack with cell tower<br /> <br /> https://secupwn.github.io/Android-IMSI-Catcher-Detector/ (english)<br /> <br /> Shield for mobile<br /> <br /> http://killyourphone.com/<br /> <br /> Non-textual formats<br /> -------------------<br /> <br /> Videos Ono robot (Spanish):<br /> <br /> https://onorobot.org/languages<br /> <br /> Me and my shadow (Spanish):<br /> <br /> https://myshadow.org/es<br /> <br /> Data Dealer (online game, English):<br /> <br /> http://datadealer.com/<br /> <br /> EFF panopticlick, IP Check (browser fingerprinting tools, English):<br /> <br /> https://panopticlick.eff.org<br /> <br /> http://ip-check.info<br /> <br /> The Internet (Doesn't) Need Another Security Guide (video, English)<br /> <br /> https://www.youtube.com/watch?v=VHgs3YcxzXw<br /> <br /> Unlike Us Network - Institute of Network Cultures (organization, Enligsh)<br /> <br /> http://networkcultures.org/unlikeus/<br /> <br /> Paper books<br /> -----------<br /> <br /> Information Security for Journalists (English)<br /> <br /> http://files.gendo.nl/Books/Information_Security_for_Journalists_v1.01.pdf<br /> <br /> Infographics & comics<br /> ---------------------<br /> <br /> Email self-defense (English)<br /> <br /> https://emailselfdefense.fsf.org/en/infographic<br /> <br /> XKCD on PGP (English)<br /> <br /> http://www.explainxkcd.com/wiki/index.php/1181:_PGP<br /> <br /> http://www.explainxkcd.com/wiki/index.php/897:_Elevator_Inspection<br /> <br /> Joy of tech<br /> <br /> http://www.geekculture.com/joyoftech/<br /> <br /> Tor and HTTPS (English, Spanish, and more):<br /> <br /> https://people.torproject.org/~lunar/tor-and-https/en/tor-and-https.svg<br /> <br /> https://people.torproject.org/~lunar/tor-and-https/es/tor-and-https.svg<br /> <br /> TOOLS/STORIES<br /> =============<br /> <br /> Harass map (English, Arabic):<br /> <br /> http://harassmap.org/en/<br /> <br /> Hollaback ending street harassment (multiple languages)<br /> <br /> http://www.ihollaback.org/<br /> <br /> The Guardian Project :<br /> <br /> https://guardianproject.info/apps/<br /> <br /> Orbot: Proxy With Tor<br /> <br /> Orbot brings the capabilities of Tor to Android. Tor uses Onion Routing to provide access to network services that may be blocked, censored or monitored, while also protecting the identity of the user requesting those resources.<br /> <br /> https://guardianproject.info/apps/orbot<br /> <br /> Orweb: Private Web Browser<br /> <br /> Orweb is a privacy enhanced web browser that supports proxies. When used with Orbot, Orweb protects against network analysis, blocks cookies, keeps no local browsing history, and disables Flash to keep you safe.<br /> <br /> https://guardianproject.info/apps/orweb<br /> <br /> InformaCam<br /> <br /> InformaCam is a plugin for ObscuraCam that allows the user, without much intervention on their own part, to inflate image and video with extra points of data, or metadata. The metadata includes information like the user’s current GPS coordinates, altitude, compass bearing, light meter readings, the signatures of neighboring devices, cell towers, and wifi networks; and serves to shed light on the exact circumstances and contexts under which the digital image was taken<br /> <br /> https://guardianproject.info/2012/01/20/introducing-informacam/<br /> <br /> Panic Button: How to turn a mobile phone into an alert system for activists<br /> <br /> https://panicbutton.io/<br /> <br /> http://livewire.amnesty.org/2013/04/15/how-to-turn-a-mobile-phone-into-an-alert-system-for-activists/<br /> <br /> Kill Packet <br /> <br /> This post explores a hypothetical case where one has volatile data on a remote machine that needs to be removed as fast and as discretely as possible without having to open up a laptop and log in via SSH, an SFTP/FTP browser <br /> <br /> http://julianoliver.com/output/log_2013-02-24_19-21 <br /> <br /> Videre <br /> <br /> Effective documentation and exposure are vital factors in the fight against human rights violations. Videre, an international charity founded in 2008, gives local activists the equipment, training and support needed to safely capture compelling video evidence of human rights violations. This captured footage is verified, analysed and then distributed to those who can create change.Videre’s unique approach addresses the lack of reach, security, verification and impact that hampers civil society’s current efforts to expose human rights abuses. We reach out to those groups and individuals that traditional or new media cannot; ensure the security of activists who film violations; verify footage before use; and follow through to ensure effective distribution and measurable impact.<br /> <br /> http://www.videreonline.org/ <br /> <br /> TRANSLATION RESOURCES<br /> =====================<br /> <br /> https://coati.pimienta.org/: simultaneous interpretation technologies, and manuals for interpretation in events<br /> <br /> Translation collectives:<br /> <br /> http://guerrillatranslation.com/<br /> <br /> http://fr.mondo-lingua.org/<br /> <br /> http://translatorswithoutborders.org/<br /> <br /> Web-based translation tools and communities:<br /> <br /> https://transifex.com/<br /> <br /> https://weblate.com/<br /> <br /> Type of material<br /> ================<br /> <br /> Audio, video, text ???<br /> <br /> Generic / specific (targetting a global audience vs specific traget group)<br /> <br /> Tools and/or methodologies (manual howto or manual state of mind)<br /> <br /> PROBLEMS & EXPERIENCES<br /> ======================<br /> What is missing?<br /> A lot of material is only available in English / Need for cultural translation & fiting lifestyle worlds (not only language)/ Not enough embedded documentation / manuals for mobile phones / more material infographics/videos/audios / <br /> Always trouble to find right material for right target groups / like a lot tactical tech/ sensation that people do not read so RTFM does not work / interested in developping tactics and praxis<br /> Activists relalated to 15th may movement, not really aware of digital security... need to use mainstream tools like twitter but also needs to learn new tactics to protect privacy / Need for more material for smartphones and mobile phone users<br /> https://pad.riseup.net/p/THF_security_documentation_mobiles<br /> Need for translation in the sense of embedding and interested in filling the gaps to make steps between need for visibility and invisibilty oscillate <br /> Lacking not so much documentation about how to use tools but documentation that embeds contexts and situations of target groups<br /> Understanding privacy as a collective value. Maybe you're priviledged and don't need it, but people communicating with you do need or desire it.<br /> Broad concepts of information security:<br /> - availability, access control, secrecy<br /> - authenticity, identity management, anonymity<br /> - reliability, denial-of-service<br /> Problems experiences with cryptoparties / cf also article of asher wolf "hacker community we need to talk?'/ http://inewp.com/dear-hacker-community-we-need-to-talk/<br /> Some participants points at the fact that security has become an issue, more important and central last year for feminist gorups. before we would try to convince them and now they look for us <br /> Set of visual icons to label the manual (quickglance to grasp an idea about the manual quality)<br /> Specific groups: activists, feminists, artists, immigrants, age groups (younger people are not using email anymore)<br /> ------------------<br /> <br /> SECURITY DOCUMENTATION MOBILES<br /> <br /> Main Topics: Cases/Intro, Preparing an action, Promoting an action, during an action <br /> <br /> Intro: about mobiles and security<br /> <br /> Notes on the notion of security<br /> <br /> Which type of operative systems for mobile (degrees of "security" they offer)<br /> <br /> Ways to track a mobile phone (agnez checks for dumb phones, gsm tracking)<br /> <br /> Tools to prepare and coordinate actions quickly<br /> <br /> Instant messaging: Telegram (Marta checks security issues and manuals)<br /> <br /> Another instant messaging possibility: Chatsecure with Jabber <br /> <br /> To get info: SecureDrop<br /> <br /> Proxy for Android: Orbot<br /> <br /> Share, Communicate over VIRTUAL PRIVATE NETWORK (VPN)<br /> <br /> To avoid using a phone: netbook with Tails<br /> <br /> To avoid using your smartphone: Dumbphone/Multifunctional phone/ Burner phone and pre-paid sim card<br /> <br /> To avoid fake base stations in GSM/UMTS network<br /> <br /> Tools to spread the call for the actions safely<br /> <br /> Twitter Proxy<br /> <br /> Facebook Proxy<br /> <br /> Tor Browser Bundle<br /> <br /> Anonymous emailing<br /> <br /> Tools to communicate the action<br /> <br /> Streaming: Bambuser proxy? any anonymous streaming server?<br /> <br /> Reporting: StoryMaker<br /> <br /> Creating evidence: InformaCam<br /> <br /> Documenting: Mobile Martus<br /> <br /> 4. Images and illustrations for the previous tools<br /> This is a generic manual, if you distribute it locally or translate it, we suggest to add info about the legal situation and the activist context.<br /> <br /> --------------------<br /> MANUALS:<br /> <br /> Quema tu móvil (Spanish):<br /> <br /> https://quematumovil.pimienta.org/<br /> <br /> A practical guide to protecting your identity and security when using mobile phones (many languages including spanish, french, arabic, etc)<br /> <br /> https://www.wefightcensorship.org/es/article/proteja-sus-datos-y-anonimato-en-su-telacfono-ma3vilhtml.html<br /> <br /> Mobile Phone Security and Android Apps:<br /> <br /> http://en.flossmanuals.net/tech-tools-for-activism/mobile-phone-security-and-android-apps/<br /> <br /> Use mobile phones securely :<br /> <br /> https://techtoolsforactivism.org/content/use-mobile-phones-securely<br /> <br /> TextSecure manual: send encrypted SMS/text messages<br /> <br /> http://en.flossmanuals.net/basic-internet-security/ch048_tools-secure-textmessaging/<br /> <br /> Avoid fake base stations / man in the middle attack with cell tower<br /> <br /> https://secupwn.github.io/Android-IMSI-Catcher-Detector/ (english)<br /> <br /> -----------------------------------<br /> 1// INTRO: ABOUT MOBILES AND SECURITY<br /> 1.1. Notes on security<br /> (can be written editing notes from yesterday's session: https://pad.riseup.net/p/THF_security_documentation <br /> decide on threat model, the more vulnerable a person the stronger the security measures they need to use<br /> don't forget analogue, meeting in real life, sending snail mail, using payphones<br /> the weakest link is human. you may have used all the best privay and anonymity techniques for years and a friend or family member can accidently out you by sending you a facebook message: hey i saw you in a photo.<br /> https://securityinabox.org/en/chapter-11<br /> https://securityinabox.org/en/chapter_3_1<br /> In mobile phones, information is vulnerable in many ways: each mobile phone provider has full access to all text and voice messages sent via its network. Phone providers in most countries are legally obliged to keep records of all communications. Voice and text communication can also be tapped by third parties in proximity to the mobile phone, using inexpensive equipment. Mobile phones can store all sorts of data: call history, text messages sent and received, address book information, photos, video clips, text files. These data may reveal your network of contacts, and personal information about you and your colleagues. Phones give out information about their location.<br /> 1.4. Which type of operative systems for mobile<br /> (degrees of "security" they offer)<br /> the OS may well include hidden features enabling better monitoring by the service provider of any particular device.<br /> <br /> -Blackberry(Non-open source)<br /> <br /> http://en.wikipedia.org/wiki/BlackBerry#Intelligence_agency_access<br /> <br /> -Android:<br /> <br /> -Cyanogenmod(http://www.theverge.com/2013/12/9/5191778/cyanogenmod-rolls-out-encrypted-text-messaging-by-default-whisper-systems )<br /> <br /> -Boeing Black(Probably non-commercial, non-open-source just for US Security)<br /> <br /> -iOS<br /> <br /> 1.3. Ways to track a mobile phone<br /> As part of normal operation, every mobile phone automatically and regularly informs the phone service provider where it is at that moment. What's more, many phones nowadays have [GPS]](/en/glossary#GPS) functions, and this precise location information may be embedded in other data such as photos, SMS and internet requests that are sent from the phone.<br /> This link provides an in-depth knowledge about how mobile networks and mobile devices are vulnerable to attacks, in our means this is being able to be traceable: https://www.owasp.org/index.php/Projects/OWASP_Mobile_Security_Project_-_Top_Ten_Mobile_Risks It needs simplification to be used by us also.<br /> Threat Levels:<br /> -Monitoring your network traffic. It can be a cell tower, a user on your local Wifi, router etc.<br /> <br /> -Fake cell towers used by police: "Stingray" http://www.extremetech.com/mobile/184597-stingray-the-fake-cell-phone-tower-cops-and-providers-use-to-track-your-every-move (more reliable source)<br /> <br /> - Pratical example of spying (https://www.youtube.com/watch?v=fQSu9cBaojc)<br /> <br /> -Service providers may be obligated to give information to police and goverment in some countries??(source)<br /> <br /> -Wifi Tapping(needs source)<br /> <br /> -Through accessing your physical hardware(It can be both a user that has access to your mobile device or an adversary that has attained to your lost/stolen mobile device)<br /> -Through using malwares, vulnerable application. Also modified versions of legitimate applications and operating systems.<br /> -Untrusted data that send to you via an application that can contain injection vectors.<br /> -Untrusted or weak developed applications that contains security flaws:<br /> -http://www.csoonline.com/article/2134120/mobile-security/manufacturers-building-security-flaws-into-android-smartphones.html<br /> -Super paranoid NSA level stuff:<br /> -http://www.slate.com/blogs/future_tense/2013/07/22/nsa_can_reportedly_track_cellphones_even_when_they_re_turned_off.html<br /> 1.2 GSM<br /> GSM communication is not tap-proof !<br /> GSM non-secure<br /> presentation at ccc december 2010<br /> http://gizmodo.com/5719940/breaking-gsm-security-with-a-15-phone<br /> - Whatever assurances have been given about the security of GSM cellphone calls, forget about them now.<br /> - GSM is insecure, the more so as more is known about GSM<br /> = > ?? maybe GSM security is insignificant for our project as it is clear that GSM is simply not secure//Besides the GSM network there is only Wifi that can be used by mobile phones and they are not very accesible in an event of demonstrations?+1<br /> Metadata tracking<br /> Network analysis<br /> 2// TOOLS TO PREPARE AND COORDINATE ACTIONS QUICKLY<br /> 2.1. Telegram<br /> Security issues:<br /> - Multiple devices https://github.com/DrKLO/Telegram/issues/208<br /> - Non-official apps could be a risk (e.g. Webogram is not official)<br /> - https://blog.thijsalkema.de/blog/2014/04/02/breaking-half-of-the-telegram-contest/<br /> BUT Telegram is the most popular free software for instant messaging, so we may trust its big community as relatively reliable. But their servers software is still not free.<br /> 2.2. Chatsecure with Jabber<br /> "Orbot has the ability to transparently torify all of the TCP traffic on your Android device when it has the correct permissions and system libraries"<br /> https://www.torproject.org/docs/android.html.en<br /> https://play.google.com/store/apps/details?id=org.torproject.android&hl=es<br /> 2.3. To get info: SecureDrop<br /> 2.4. Proxy for Android: Orbot<br /> You need to root your phone. Otherwise, you still can use the following applications prepared to work with Orbot:<br /> - Orweb browser<br /> - ChatSecure<br /> - DuckDuckGo search engine<br /> - Add-on proxy mobile for firefox<br /> - Twitter proxy<br /> - StoryMaker<br /> - Mobile Martus<br /> 2.5. VPN<br /> It secures your computer's internet connection to guarantee that all of the data you're sending and receiving is encrypted and secured from prying eyes.<br /> VPNs to connect remote datacenters, and individuals can use VPNs to get access to network resources when they're not physically on the same LAN (local area network), or as a method for securing and encrypting their communications when they're using an untrusted public network.<br /> Getting and dropping sensetive Information (Images, Docs, Videos) from your trusted Data-Center in an untrusted WIFI- Zone. <br /> https://we.riseup.net/riseuphelp+en/vpn-howto<br /> 2.5. Avoid using a phone: netbook with Tails<br /> For Keypersons who are preparing and doing a call for action. Gather physically if possible and use tails from your laptops spreading the first calls. <br /> Don't use mobile phones in this stage. Sending out the call for action. Instruct target groups that everyone should use/pass the same "call on action".<br /> For communicating decentral (non physical) use an encrypted irc on trusted ISPS. <br /> 2.6. Avoid using your phone<br /> Dumbphone/Multifunctional phone/ Burner phone and pre-paid sim card. You can also proctect your phone with signal blocking pouches, use the faraday'cage on your phone with RF Shielding Fleece. http://killyourphone.com/<br /> 2.8 To avoid fake base stations in GSM/UMTS network<br /> Both law enforcement agencies and criminals use IMSI-Catchers, which are false mobile towers acting between the target mobile phone(s) and the service providers real towers. As such it is considered a Man In the Middle (MITM) attack. The FBI or local police might deploy the device at a protest to obtain a record of everyone who attended with a cell phone.<br /> See the talk of Chris Paget called "Practical Cellphone Spying" at defcon 18 for a "how to".<br /> The projet called "Android IMSI-CATCHER Detactor " is a Android-based project to detect and avoid fake base stations.<br /> Find step by step installation guide at https://github.com/SecUpwN/Android-IMSI-Catcher-Detector/wiki/Installation.<br /> 3// TOOLS TO SPREAD THE CALL FOR ACTION SAFELY<br /> 3.1. Twitter proxy<br /> 3.2. Facebook proxy<br /> 3.3. Tor browser bundle<br /> 3.4. Anonymous e-mailing<br /> 4// TOOLS TO COMMUNICATE THE ACTION<br /> 4.1. Streaming<br /> 4.2. Reporting: StoryMaker<br /> 4.3. Creating evidence: InformaCam<br /> 4.4. Documenting: Mobile Martus<br /> http://benetech.org/2013/10/02/introducing-mobile-martus-1-0/<br /> 5. Images and illustrations for the previous tools<br /> Metadata: https://picup.it/media/pictures/sticker_375x360_Metadata.png</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=TransHackfeminist_Cabaret&diff=58 TransHackfeminist Cabaret 2014-10-07T16:07:09Z

<p>Spideralexx: </p> <hr /> <div>'If i can not dance, this is not my revolution' Emma Goldman<br /> <br /> On the last day of the convergence a Cabaret was organized for celebrating the end of our collective convergence. The cabaret was very meaningful for the philosophy behind the THF. It was meaning for the following reasons. <br /> <br /> Genderqueer were performing political songs;<br /> The Pornotrash performance embodied what post-porn is about: liberating the bodies from binaries and from accepted ideas of how certain bodies should look like. It helped to convey the importance of breaking the binaries: binaries between theory and practice, who is producing knowledge and who is consume it, between who can be naked and who can't, between men-bodied people being allowed to show their breast in public, but not women bodied, etc.<br /> It was also a clear statement that TFH is supporting post-porn subjects making its political stance very clear vis-à-vis certain feminist discourses. <br /> All the technical set up and management were prepared by the participants (setting up the sound system, the stage, etc.) reflecting a strong DYI ethos in addition demonstrating that feminist, women, genderqueer and trans can do it! <br /> This idea that life and hacking (gender hacking/bending) is about performances.<br /> <br /> Friday<br /> <br /> [https://vimeo.com/103015043 The Death Cats]<br /> <br /> [https://soundcloud.com/dragdark/sets/las-chicas-de-chernobyl-86-86 Las Chicas de Chernobil 86]<br /> <br /> Saturday:<br /> <br /> Transfuturistic Cyborgs Cabaret:<br /> - Darkbaider y mari pili (Nani)<br /> - Upstage Jam<br /> - Pornotrash<br /> <br /> Concerts:<br /> <br /> [https://www.youtube.com/watch?v=qOEX7e-trrA Boca de baba]<br /> <br /> [https://www.youtube.com/watch?v=vQ1MxipaDOI Del_F.64.0]<br /> <br /> [http://vaginoplastia.bandcamp.com/ Vaginoplastia]<br /> <br /> Miss Sasa</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=TransHackfeminist_Cabaret&diff=57 TransHackfeminist Cabaret 2014-10-07T16:06:06Z

<p>Spideralexx: </p> <hr /> <div>'If i can not dance, thisis not my revolution' Emma Goldman<br /> <br /> On the last day of the convergence a Cabaret was organized for celebrating the end of our collective convergence. The cabaret was very meaningful for the philosophy behind the THF. It was meaning for the following reasons. <br /> <br /> Genderqueer were performing political songs;<br /> The Pornotrash performance embodied what post-porn is about: liberating the bodies from binaries and from accepted ideas of how certain bodies should look like. It helped to convey the importance of breaking the binaries: binaries between theory and practice, who is producing knowledge and who is consume it, between who can be naked and who can't, between men-bodied people being allowed to show their breast in public, but not women bodied, etc.<br /> It was also a clear statement that TFH is supporting post-porn subjects making its political stance very clear vis-à-vis certain feminist discourses. <br /> All the technical set up and management were prepared by the participants (setting up the sound system, the stage, etc.) reflecting a strong DYI ethos in addition demonstrating that feminist, women, genderqueer and trans can do it! <br /> This idea that life and hacking (gender hacking/bending) is about performances.<br /> <br /> Friday<br /> <br /> [https://vimeo.com/103015043 The Death Cats]<br /> [https://soundcloud.com/dragdark/sets/las-chicas-de-chernobyl-86-86 Las Chicas de Chernobil 86]<br /> <br /> Saturday:<br /> <br /> Transfuturistic Cyborgs Cabaret:<br /> - Darkbaider y mari pili (Nani)<br /> - Upstage Jam<br /> - Pornotrash<br /> <br /> Concerts:<br /> <br /> [https://www.youtube.com/watch?v=qOEX7e-trrA Boca de baba]<br /> [https://www.youtube.com/watch?v=vQ1MxipaDOI Del_F.64.0]<br /> [http://vaginoplastia.bandcamp.com/ Vaginoplastia]<br /> - Miss Sasa</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=TransHackfeminist_Cabaret&diff=56 TransHackfeminist Cabaret 2014-10-07T16:05:00Z

<p>Spideralexx: </p> <hr /> <div>On the last day of the convergence a Cabaret was organized for celebrating the end of our collective convergence. The cabaret was very meaningful for the philosophy behind the THF. It was meaning for the following reasons. <br /> <br /> Genderqueer were performing political songs;<br /> The Pornotrash performance embodied what post-porn is about: liberating the bodies from binaries and from accepted ideas of how certain bodies should look like. It helped to convey the importance of breaking the binaries: binaries between theory and practice, who is producing knowledge and who is consume it, between who can be naked and who can't, between men-bodied people being allowed to show their breast in public, but not women bodied, etc.<br /> It was also a clear statement that TFH is supporting post-porn subjects making its political stance very clear vis-à-vis certain feminist discourses. <br /> All the technical set up and management were prepared by the participants (setting up the sound system, the stage, etc.) reflecting a strong DYI ethos in addition demonstrating that feminist, women, genderqueer and trans can do it! <br /> This idea that life and hacking (gender hacking/bending) is about performances.<br /> <br /> Friday<br /> <br /> - [https://vimeo.com/103015043 The Death Cats]<br /> - [https://soundcloud.com/dragdark/sets/las-chicas-de-chernobyl-86-86 Las Chicas de Chernobil 86]<br /> <br /> Saturday:<br /> <br /> Transfuturistic Cyborgs Cabaret:<br /> - Darkbaider y mari pili (Nani)<br /> - Upstage Jam<br /> - Pornotrash<br /> <br /> Concerts:<br /> <br /> - [https://www.youtube.com/watch?v=qOEX7e-trrA Boca de baba]<br /> - [https://www.youtube.com/watch?v=vQ1MxipaDOI Del_F.64.0]<br /> - [http://vaginoplastia.bandcamp.com/ Vaginoplastia]<br /> - Miss Sasa</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=TransHackfeminist_Cabaret&diff=55 TransHackfeminist Cabaret 2014-10-06T14:19:02Z

<p>Spideralexx: </p> <hr /> <div>On the last day of the convergence a Cabaret was organized for celebrating the end of our collective convergence. The cabaret was very meaningful for the philosophy behind the THF. It was meaning for the following reasons. <br /> <br /> Genderqueer were performing political songs;<br /> The Pornotrash performance embodied what post-porn is about: liberating the bodies from binaries and from accepted ideas of how certain bodies should look like. It helped to convey the importance of breaking the binaries: binaries between theory and practice, who is producing knowledge and who is consume it, between who can be naked and who can't, between men-bodied people being allowed to show their breast in public, but not women bodied, etc.<br /> It was also a clear statement that TFH is supporting post-porn subjects making its political stance very clear vis-à-vis certain feminist discourses. <br /> All the technical set up and management were prepared by the participants (setting up the sound system, the stage, etc.) reflecting a strong DYI ethos in addition demonstrating that feminist, women, genderqueer and trans can do it! <br /> This idea that life and hacking (gender hacking/bending) is about performances.<br /> <br /> Friday<br /> <br /> - The Death Cats<br /> - Las Chicas de Chernobil 86<br /> <br /> Saturday:<br /> <br /> Transfuturistic Cyborgs Cabaret:<br /> - Darkbaider y mari pili (Nani)<br /> - Upstage Jam<br /> - Pornotrash<br /> <br /> Concerts:<br /> <br /> - Boca de baba<br /> - Del_F.64<br /> - Vaginoplastia<br /> - Miss Sasa</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=Pornotrash_English&diff=54 Pornotrash English 2014-10-05T17:11:47Z

<p>Spideralexx: </p> <hr /> <div>PORNO TRASH<br /> <br /> CHAPTER I<br /> «Since our childhood we have been made feel ashamed of our body. First of all,<br /> under absurd pretexts (...), we have been prevented to masturbate, we have been<br /> prevented to put our elbows on the table, we have been bound to never remain naked.We have been led into feel ashamed of our body because it translates our desires even when we don't dare to say them. We have been told: [to] submit ourselves with our flesh, wear ties, underwear and bras, make a military salute, not to lay on the grass, not to sit in your bosses office if not invited, remain seated in class...[...] FREE DISPOSITION OF OUR BODY »<br /> Tout! n. 12, 23 april 1971, Journal du groupe « Vive la révolution » FAHR<br /> http://semgai.free.fr/contenu/archives/Tout/TOUT12.html<br /> <br /> Our body is in continuous relationship with space, so we have to « recognise that in society individuals undergo oppression related to their own physical features.»<br /> Francine Barthe-Deloizy, 2003, Géographie de la nudité. Etre nu quelque part. Ed. Bréal.<br /> <br /> Our body<br /> « marks a boundary between self and other, [...] It is our means for connecting<br /> with, and experiencing, other spaces».<br /> Gill Valentine, 2001, Social Geographies: Space and Society, New York: Prentice Hall, p. 15.<br /> <br /> Our body<br /> is a barrier between intimate and public, our individual and personal space<br /> where the collective rules are integrated or challenged.<br /> <br /> Our body<br /> « is not just in space but it's space itself »<br /> Johnston L. et Longhurst R., 2010, Space, Place, and Sex: Geographies of Sexualities, Lanham MD:Rowman and Littlefild.<br /> <br /> Our body<br /> « is also directly involved in a political field; power relations have an<br /> immediate grip on it; they invest it, mark it, train it, torture it, force it to carry out tasks, to perform ceremonies, to emit signs ».<br /> Foucault M.,1975, Surveiller et punir, Gallimard, Paris. Discipline & Punish - The Birth of the Prison. Tr.Sheridan. NY: Vintage, 1995.<br /> <br /> But women's body<br /> « is everywhere, posted, filmed and advertised. A standard body strategically-normed. I can't take it any more, the images of the body, staged, coded as to strictly comply with social hierarchies that divide and link the body between them ».<br /> Ton corps est un champ de bataille (fanzina, Lione, 2000)<br /> <br /> The war waged against women's bodies<br /> « is also a war waged over our right to exist at all, with all our strengths, limitations, abilities, and vulnerabilities, in our full diversity and common humanity. »<br /> Carla Rice, Out from Under Occupation. Transforming Our Relationship with Our Bodies. Canadian Woman Studies/ les Cahiers de la Femme, Volume 14, Numero 3 (Juillet 1994).<br /> <br /> The war waged against women's bodies<br /> « is also a conflict over race and skin colour, played out in deeply held stereotypes about the value and beauty of whiteness that saturate our culture and language, and are used to colonize non-white people and non-western societies ».<br /> Carla Rice, Out from Under Occupation. Transforming Our Relationship with Our Bodies. Canadian Woman<br /> Studies/ les Cahiers de la Femme, Volume 14, Numero 3 (Juillet 1994).<br /> <br /> And between all these bodies<br /> « there's my body. My body which is me, that reacts, that's immobilized. [...] A body shaped by collective discourses, by the movement, in the sense of the little physical exercise I do, movement in the sense of the movements that have failed and that write it on me. Lungs which have breathed CS, but head that has never been broken by a truncheon. Pussy penetrated by too many people that should have never even come close, anus worked over by tongues, hands, feet, dildos, but above all mouth that has swollen too many times the disgust produced by this society, the fascism, the gender based violence, the indiscreet harassment that happens on the streets, at home and in<br /> squats. [...] ».<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> <br /> « a naked body<br /> is not only<br /> a naked body<br /> it's a commercial product<br /> a weapon of mass consciousness<br /> a territory in a permanent war<br /> everything depends on the context<br /> where the naked body is shown<br /> what does the naked body do<br /> who's is the naked body<br /> how is the naked body<br /> context<br /> gender<br /> race<br /> class<br /> age<br /> differences' variables<br /> oppression's variables<br /> body of woman<br /> body of naked woman<br /> object to be shape<br /> liposuction<br /> cream<br /> epilation<br /> gentle underwear<br /> and a handbag by Vuitton<br /> body of naked woman<br /> space to inhabit<br /> [...]<br /> body of woman<br /> poor bodies<br /> old bodies<br /> strange bodies<br /> abnormal bodies<br /> space to inhabit,<br /> to take possession,<br /> to make it THEIR OWN masterpiece<br /> to shape it<br /> to form it<br /> to put their own brand<br /> and if it rebels<br /> and if it resists<br /> and does not collaborate with their oppression<br /> it's a body to insult<br /> to put in chains<br /> to violate<br /> rape<br /> weapon of mass destruction<br /> [...]<br /> patriarchy<br /> weapon of mass destruction<br /> body of a woman<br /> body of a poor woman<br /> body of a black woman<br /> body of an indigenous woman<br /> strange bodies<br /> territory to occupy<br /> territory:<br /> that which is controlled by a certain type of power<br /> body:<br /> that which is controlled by a certain type of power<br /> which power?<br /> [...]<br /> Helen La Floresta « Donde yo mando », http://helenlafloresta.blogspot.fr/<br /> <br /> My body<br /> IS A BATTLEGROUND<br /> Barbara Kruger<br /> Its limits design the moral order and meaning of the world. To conceive the body is a<br /> way to conceive the world.<br /> So my world,<br /> my body,<br /> I see it,<br /> I conceive it,<br /> I create it... this way:<br /> <br /> CHAPTER II<br /> « I look for my own images. Playful. I started painting bodies, often the same.<br /> Androgynous. rhythms, caresses, movements, projections of multiple desires, panting is a pleasure. A libido in action. »<br /> Ton corps est un champ de battaille (fanzina, Lione, 2000)<br /> <br /> « [...] Contrasexuality is an artistic creation and we are the artists of the G point. The map of my body is made up of millions of dildos, as many orifices as the pores of my skin and I could come rubbing your neck with my nose, while you're unexpectedly penetrate a place of me that is considered impenetrable. Foolish the one who one day said to me "Yes, but I sure will not come rubbing the hollow of the arm". We refute it. Collectively by skin, hands and head ».<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> <br /> « The spaces of freedom that bodies take are sometimes unexpected in their<br /> unpredictability in front of the power »<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> <br /> For this reason<br /> « I started exploring S/M as a bottom, and I still put my legs up in the air now andthen. [...] In addition to being a sadist, I have a leather fetish. If I remember my Krafft-Ebing, that's another thing women aren't supposed to do[...]. [therefore] I am obviously a sex pervert, and good real true lesbians are not sex perverts. They are high priestesses of feminism, conjuring up the wimmin's revolution. As I understand it, after the wimmin's revolution, sex will consists of wimmin holding hands, taking off their shirts, and dancing in a circle. Then we will all fall asleep at exactly the same moment. If we didn't all fall asleep, something else might happen - something male-identified, objectifying, pornographic, noisy, and undignified. Something like an orgasm ».<br /> Pat Califia, 1994, Public sex -The Culture of Radical Sex. Cleiss Press. p. 158 - 159<br /> <br /> If I don't enjoy my pleasure,<br /> if I don't laugh,<br /> if I don't sing,<br /> if I don't fuck,<br /> if I don't touch,<br /> if I don't play,<br /> « If I can't dance, it's not my revolution »<br /> Emma Goldman<br /> <br /> And without my friends « I am nothing »<br /> Diana Pornoterrorista<br /> They are there if I transform into<br /> « Sleeping Beauty.<br /> It's so called a lover who forget to have a clitoris. So she falls into a sleepiness of which she doesn’t even know the reason. The sleepy spell ends for the Beauty when [the lovers] gently remind her that she has a clitoris».<br /> Wittig, Monique e Sande Zeig, 1976, Brouillon pour un dictionnaire des amantes, Parigi, Grasset.<br /> <br /> I want<br /> « Hair.<br /> Hair is the name of the glorious fleece that cover legs, arms, armpits, pubis and part of the body. [Some lovers] admire the designs they form. Some admire its colours or length. Some like how they are distributed over the body. Many lovers envy those who have strong dark hairs. These cut their hair to make them grow stronger and thicker ».<br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset<br /> <br /> I don't want<br /> « Clothes. Ballad singer say that when happens to ask to lovers of lovers people how do they like to dress, they say that they don't like to do it, and it really seems they don't like to do it.<br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset.<br /> <br /> Let's start with an evidence: nudity itself means nothing [...] But this incredible neutrality is cancelled when related to a place, a context [...]. If undressing to take a shower is a necessity, a banality, going to the opera or the restaurant completely naked is considered a provocation or exhibitionism.<br /> [...]<br /> Throughout history, with various pretexts, nudity has been loaded with value,<br /> standards, taboo. It became scandalous, exciting, obsessive or innocent.<br /> [...]<br /> The place serves as an evaluation criteria of nudity: incongruous and shocking in certain situations, ordinary or daily in others. The situation of ordinary or<br /> extraordinary nudity, spectacular or trivial, have an effect of characterizing spaces where nudity has its place or not.<br /> Nudity produces places[...].<br /> When nudity breaks into public spaces [...] produces a formidable visual impact and an incontestable subversive effect.[...]<br /> Nudity, private or public, individual or collective, creates places, territories, practices, works on rules, on codes, on histories, on morals and ideologies».<br /> Francine barthe-Delozy, 2003, Gèographie de la nuditè. Etre nu quelque part. Ed. Brèal.<br /> <br /> Nudity creates relations,<br /> my body creates relations:<br /> MY BODY IS A PLAYGROUND</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=Pornotrash_English&diff=53 Pornotrash English 2014-10-05T17:07:17Z

<p>Spideralexx: Created page with "PORNO TRASH CHAPTER I «Since our childhood we have been made feel ashamed of our body. First of all, under absurd pretexts (...), we have been prevented to masturbate, we ha..."</p> <hr /> <div>PORNO TRASH<br /> <br /> CHAPTER I<br /> «Since our childhood we have been made feel ashamed of our body. First of all,<br /> under absurd pretexts (...), we have been prevented to masturbate, we have been<br /> prevented to put our elbows on the table, we have been bound to never remain naked.<br /> We have been led into feel ashamed of our body because it translates our desires even<br /> when we don't dare to say them. We have been told: [to] submit ourselves with our <br /> flesh, wear ties, underwear and bras, make a military salute, not to lay on the grass,<br /> not to sit in your bosses office if not invited, remain seated in class...<br /> [...]<br /> FREE DISPOSITION OF OUR BODY »<br /> Tout! n. 12, 23 april 1971, Journal du groupe « Vive la révolution » FAHR<br /> http://semgai.free.fr/contenu/archives/Tout/TOUT12.html<br /> Our body<br /> is in continuous relationship with space, so we have to<br /> « recognise that in society individuals undergo oppression related to their own<br /> physical features.»<br /> Francine Barthe-Deloizy, 2003, Géographie de la nudité. Etre nu quelque part. Ed. Bréal.<br /> Our body<br /> « marks a boundary between self and other, [...] It is our means for connecting<br /> with, and experiencing, other spaces».<br /> Gill Valentine, 2001, Social Geographies: Space and Society, New York: Prentice Hall, p. 15.<br /> Our body<br /> is a barrier between intimate and public, our individual and personal space<br /> where the collective rules are integrated or challenged.<br /> Our body<br /> « is not just in space but it's space itself »<br /> Johnston L. et Longhurst R., 2010, Space, Place, and Sex: Geographies of Sexualities, Lanham MD:<br /> Rowman and Littlefild.<br /> Our body<br /> « is also directly involved in a political field; power relations have an<br /> immediate grip on it; they invest it, mark it, train it, torture it, force it to carry<br /> out tasks, to perform ceremonies, to emit signs ».<br /> Foucault M.,1975, Surveiller et punir, Gallimard, Paris. Discipline & Punish - The Birth of the Prison. Tr.<br /> Sheridan. NY: Vintage, 1995.<br /> But women's body<br /> « is everywhere, posted, filmed and advertised. A standard body strategically-normed.<br /> I can't take it any more, the images of the body, staged, coded as to strictly comply<br /> with social hierarchies that divide and link the body between them ».<br /> Ton corps est un champ de bataille (fanzina, Lione, 2000)<br /> The war waged against women's bodies<br /> « is also a war waged over our right to exist at all, with all our strengths, limitations,<br /> abilities, and vulnerabilities, in our full diversity and common humanity. »<br /> Carla Rice, Out from Under Occupation. Transforming Our Relationship with Our Bodies. Canadian Woman<br /> Studies/ les Cahiers de la Femme, Volume 14, Numero 3 (Juillet 1994).<br /> The war waged against women's bodies<br /> « is also a conflict over race and skin colour, played out in deeply held stereotypes<br /> about the value and beauty of whiteness that saturate our culture and language, and<br /> are used to colonize non-white people and non-western societies ».<br /> Carla Rice, Out from Under Occupation. Transforming Our Relationship with Our Bodies. Canadian Woman<br /> Studies/ les Cahiers de la Femme, Volume 14, Numero 3 (Juillet 1994).<br /> And between all these bodies<br /> « there's my body. My body which is me, that reacts, that's immobilized. [...] A body<br /> shaped by collective discourses, by the movement, in the sense of the little physical<br /> exercise I do, movement in the sense of the movements that have failed and that write<br /> it on me. Lungs which have breathed CS, but head that has never been broken by a<br /> truncheon. Pussy penetrated by too many people that should have never even come<br /> close, anus worked over by tongues, hands, feet, dildos, but above all mouth that has<br /> swollen too many times the disgust produced by this society, the fascism, the gender<br /> based violence, the indiscreet harassment that happens on the streets, at home and in<br /> squats. [...] ».<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> « a naked body<br /> is not only<br /> a naked body<br /> it's a commercial product<br /> a weapon of mass consciousness<br /> a territory in a permanent war<br /> everything depends on the context<br /> where the naked body is shown<br /> what does the naked body do<br /> who's is the naked body<br /> how is the naked body<br /> context<br /> gender<br /> race<br /> class<br /> age<br /> differences' variables<br /> oppression's variables<br /> body of woman<br /> body of naked woman<br /> object to be shape<br /> liposuction<br /> cream<br /> epilation<br /> gentle underwear<br /> and a handbag by Vuitton<br /> body of naked woman<br /> space to inhabit<br /> [...]<br /> body of woman<br /> poor bodies<br /> old bodies<br /> strange bodies<br /> abnormal bodies<br /> space to inhabit,<br /> to take possession,<br /> to make it THEIR OWN masterpiece<br /> to shape it<br /> to form it<br /> to put their own brand<br /> and if it rebels<br /> and if it resists<br /> and does not collaborate with their oppression<br /> it's a body to insult<br /> to put in chains<br /> to violate<br /> rape<br /> weapon of mass destruction<br /> [...]<br /> patriarchy<br /> weapon of mass destruction<br /> body of a woman<br /> body of a poor woman<br /> body of a black woman<br /> body of an indigenous woman<br /> strange bodies<br /> territory to occupy<br /> territory:<br /> that which is controlled by a certain type of power<br /> body:<br /> that which is controlled by a certain type of power<br /> which power?<br /> [...]<br /> Helen La Floresta « Donde yo mando », http://helenlafloresta.blogspot.fr/<br /> My body<br /> IS A BATTLEGROUND<br /> Barbara Kruger<br /> Its limits design the moral order and meaning of the world. To conceive the body is a<br /> way to conceive the world.<br /> So my world,<br /> my body,<br /> I see it,<br /> I conceive it,<br /> I create it... this way:<br /> CHAPTER II<br /> « I look for my own images. Playful. I started painting bodies, often the same.<br /> Androgynous. rhythms, caresses, movements, projections of multiple desires, panting<br /> is a pleasure. A libido in action. »<br /> Ton corps est un champ de battaille (fanzina, Lione, 2000)<br /> « [...] Contrasexuality is an artistic creation and we are the artists of the G point. The<br /> map of my body is made up of millions of dildos, as many orifices as the pores of my<br /> skin and I could come rubbing your neck with my nose, while you're unexpectedly<br /> penetrate a place of me that is considered impenetrable. Foolish the one who one day<br /> said to me "Yes, but I sure will not come rubbing the hollow of the arm". We refute it.<br /> Collectively by skin, hands and head ».<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> « The spaces of freedom that bodies take are sometimes unexpected in their<br /> unpredictability in front of the power »<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> For this reason<br /> « I started exploring S/M as a bottom, and I still put my legs up in the air now and<br /> then. [...] In addition to being a sadist, I have a leather fetish. If I remember my<br /> Krafft-Ebing, that's another thing women aren't supposed to do[...]. [therefore] I am<br /> obviously a sex pervert, and good real true lesbians are not sex perverts. They are<br /> high priestesses of feminism, conjuring up the wimmin's revolution. As I understand<br /> it, after the wimmin's revolution, sex will consists of wimmin holding hands, taking<br /> off their shirts, and dancing in a circle. Then we will all fall asleep at exactly the<br /> same moment. If we didn't all fall asleep, something else might happen - something<br /> male-identified, objectifying, pornographic, noisy, and undignified. Something like<br /> an orgasm ».<br /> Pat Califia, 1994, Public sex -The Culture of Radical Sex. Cleiss Press. p. 158 - 159<br /> If I don't enjoy my pleasure,<br /> if I don't laugh,<br /> if I don't sing,<br /> if I don't fuck,<br /> if I don't touch,<br /> if I don't play,<br /> « If I can't dance, it's not my revolution »<br /> Emma Goldman<br /> And without my friends « I am nothing »<br /> Diana Pornoterrorista<br /> They are there if I transform into<br /> « Sleeping Beauty.<br /> It's so called a lover who forget to have a clitoris. So she falls into a sleepiness of<br /> which she doesn’t even know the reason. The sleepy spell ends for the Beauty when<br /> [the lovers] gently remind her that she has a clitoris».<br /> Wittig, Monique e Sande Zeig, 1976, Brouillon pour un dictionnaire des amantes, Parigi, Grasset.<br /> I want<br /> « Hair.<br /> Hair is the name of the glorious fleece that cover legs, arms, armpits, pubis and part<br /> of the body. [Some lovers] admire the designs they form. Some admire its colours or<br /> length. Some like how they are distributed over the body. Many lovers envy those<br /> who have strong dark hairs. These cut their hair to make them grow stronger and<br /> thicker ».<br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset<br /> I don't want<br /> « Clothes.<br /> Ballad singer say that when happens to ask to lovers of lovers people how do they<br /> like to dress, they say that they don't like to do it, and it really seems they don't like to<br /> do it.<br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset.<br /> Let's start with an evidence: nudity itself means nothing [...] But this incredible<br /> neutrality is cancelled when related to a place, a context [...]. If undressing to take a<br /> shower is a necessity, a banality, going to the opera or the restaurant completely<br /> naked is considered a provocation or exhibitionism.<br /> [...]<br /> Throughout history, with various pretexts, nudity has been loaded with value,<br /> standards, taboo. It became scandalous, exciting, obsessive or innocent.<br /> [...]<br /> The place serves as an evaluation criteria of nudity: incongruous and shocking in<br /> certain situations, ordinary or daily in others. The situation of ordinary or<br /> extraordinary nudity, spectacular or trivial, have an effect of characterizing spaces<br /> where nudity has its place or not.<br /> Nudity produces places[...].<br /> When nudity breaks into public spaces [...] produces a formidable visual impact and<br /> an incontestable subversive effect.[...]<br /> Nudity, private or public, individual or collective, creates places, territories, practices,<br /> works on rules, on codes, on histories, on morals and ideologies».<br /> Francine barthe-Delozy, 2003, Gèographie de la nuditè. Etre nu quelque part. Ed. Brèal.<br /> Nudity creates relations,<br /> my body creates relations:<br /> MY BODY IS A PLAYGROUND</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=Pornotrash_Spanish&diff=52 Pornotrash Spanish 2014-10-05T17:06:14Z

<p>Spideralexx: Created page with "trad por Paul Bazzo "Desde nuestra infancia nos han hecho avergonzarnos de nuestro cuerpo. en primer lugar, bajo pretextos absurdos (...) se nos ha impedido la masturbación,..."</p> <hr /> <div>trad por Paul Bazzo<br /> <br /> "Desde nuestra infancia nos han hecho avergonzarnos de nuestro cuerpo. en primer lugar, bajo pretextos absurdos (...) se nos ha impedido la masturbación, se nos ha impedido poner los codos sobre la mesa, se nos ha obligado a no desnudarnos. se nos ha hecho sentir vergüenza de nuestro cuerpo, porque éste traduce nuestros deseos incluso cuando no nos atrevemos a nombrarlos. se nos ha dicho: que debemos presentarnos a nosotrxs mismxs con nuestra carne, llevar corbatas, ropa interior y sujetadores, hacer el saludo militar, o tumbarnos en el césped, no sentarnos en la oficina del jefe si no fuimos invitados, permanecer sentadxs en clase, ... <br /> (...) <br /> LIBRE DISPOSICIÓN DE NUESTRO CUERPO<br /> <br /> Nuestro cuerpo<br /> está en continua relación con el espacio, por lo que tenemos que<br /> <br /> "reconocer que en sociedad los individuos se someten a una presion relacionada con sus rasgos físicos".<br /> <br /> Nuestro cuerpo.<br /> <br /> "Marca una frontera entre el yo y el otro" (...) Es nuestro medio para conectar con y experimentar, otros espacios".<br /> <br /> Nuestro cuerpo<br /> es una barrera entre lo intimo y lo publico, nuestro espacio individual y personal donde las reglas colectivas son integradas o desafiadas".<br /> <br /> Nuestro cuerpo<br /> <br /> "no está unicamente en el espacio sino que es espacio en sí mismo"<br /> <br /> Nuestro cuerpo<br /> <br /> "Está también directamente involucrado en un campo político; en el que las relaciones de poder estructuran este ámbito; lo invierten, lo marcan, lo entrenan, lo torturan, lo fuerzan a llevar a cabo tareas, a performar ceremonias, a emitir signos". <br /> <br /> Pero el cuerpo de la mujer<br /> <br /> "está en todas partes, en carteles, filmado y anunciado. Un cuerpo estándar, estrategicamente normativizado. No puedo más, las imágenes del cuerpo, etapas, codificadas para confrontar estrictamente con las jerarquías sociales que dividen y unen el cuerpo entre sí"<br /> <br /> La guerra librada contra los cuerpos de las mujeres.<br /> <br /> "Es también una guerra librada sobre nuestro derecho a existir, con todas nuestras fortalezas, limitaciones, habilidades y vulnerabilidades, en nuestra completa diversidad y humanidad común." <br /> <br /> La guerra librada contra los cuerpos de las mujeres.<br /> <br /> "Es también un conflicto sobre raza y color de piel que se desarrolla en estereotipos profundamente arraigados sobre el valor y la belleza de la blanquitud que satura nuestra cultura y lenguaje y que son usados para colonizar a gente no blanca y a sociedades no occidentales".<br /> <br /> Y entre todos esos cuerpos.<br /> <br /> "Está mi cuerpo. Mi cuerpo que soy yo, que reacciona, que está inmovilizado. Un cuerpo formado por discursos colectivos, por el movimiento, referido al pequeño ejercicio físico que hago, movimiento referido a los movimientos que han fracasado y que escribo en mí. Pulmones que han respirado gas, pero cabeza que nunca fue rota por una cachiporra. Coño penetrado por demasiadas personas que nunca deberían haber estado tan cerca, anos follados por lenguas, manos, pies, dildos... pero sobre todo bocas que han tragado demasiadas veces el asco producido por esta sociedad, el fascismo, la violencia basada en el género, los indiscretos abusos que suceden en las calles, en casa y en las okupas. (...)"<br /> <br /> "un cuerpo desnudo<br /> no es solamente <br /> un cuerpo desnudo<br /> es un producto comercial<br /> un arma de concienciación masiva<br /> un territorio en guerra permanente <br /> todo depende del contexto<br /> donde se muestra el cuerpo desnudo<br /> que hace el cuerpo desnudo<br /> de quien es ese cuerpo desnudo<br /> como es el cuerpo desnudo<br /> el contexto<br /> el género<br /> la raza<br /> la clase<br /> la edad<br /> las variables de la diferencia<br /> variables de la opresión<br /> cuerpo de mujer<br /> cuerpo de mujer desnuda<br /> objeto a modelar<br /> liposupcion<br /> crema<br /> depilación<br /> lencería fina<br /> un bolso de Vuitton<br /> cuerpo de mujer desnudo<br /> espacio a habitar<br /> (...)<br /> cuerpo de mujer<br /> cuerpos pobres<br /> cuerpos viejos<br /> cuerpos raros<br /> cuerpos anormales<br /> espacios por habitar<br /> para ser apropiados<br /> para hacer su OBRA<br /> para modelarla<br /> formarla<br /> poner el sello propio<br /> (...)<br /> y si se rebelan<br /> y si resisten<br /> no colaboran con su opresión<br /> son cuerpos a insultar<br /> a encadenar<br /> a violar<br /> violación<br /> arma de destrucción masiva<br /> (...)<br /> patriarcado<br /> arma de destrucción masiva<br /> cuerpo de mujer<br /> cuerpo pobre<br /> cuerpo de negra<br /> cuerpo de indígena<br /> cuerpo gordo<br /> cuerpo raro<br /> territorio a ocupar<br /> <br /> territorio:se refiere a lo que es controlado por cierto tipo de poder<br /> (...)<br /> Cuerpo: se refiere a lo que es controlado por cierto tipo de poder<br /> Qué poder?<br /> (...)<br /> <br /> Mi cuerpo ES UN CAMPO DE BATALLA<br /> <br /> Sus límites diseñan el orden moral y significado del mundo. <br /> Entender el cuerpo es una forma de entender el mundo.<br /> Entonces mi mundo, mi cuerpo, lo veo, lo concibo, lo creo...De esta forma: <br /> <br /> "Busco mis propia imágenes. Juguetonx, empecé a pintar cuerpos, normalmente el mismo. Andróginos. Ritmos. Caricias, movimiento, proyecciones de múltiples deseos, pintar es un placer. La libido en acción".<br /> <br /> "(...) La contrasexualidad es una creación artística y nostrxs somos lxs artistas del punto G. El mapa de mi cuerpo esta creado por millones de dildos, tantos orificios como los poros de mi piel. Yo podría flotar tu cuello con mi nariz, mientras tu penetras inesperadamente una parte de mi que es considerada impenetrable. Necio el que un día me dijo "Sí, pero seguro que no vas a venir a frotarte con mi brazo". Nostrotrxs refutamos esto. Colectivamente a través de la piel, manos y cabeza".<br /> <br /> "Los espacios de libertad que los cuerpos toman, son a veces inesperados en su imprevisibilidad frente al poder"<br /> Por esta razón<br /> <br /> "Empecé a explorar en el S/M como sumisx, y todavía de vez en cuando levanto mis piernas al aire.<br /> (...) A parte de ser unx sádicx, soy fetichista del cuero. Si recuerdo mi Krafft-Ebing, es otra de las cosas que se supone que las mujeres no deberían hacer. (...). (por lo tanto) Soy obviamente unx pervertida sexual, las auténticas y buenas lesbianas no son unas pervertidas sexuales. Son fuertes predicadoras del feminismo, evocando conjuros para la revolución de las mujeres. Hasta donde yo entiendo, después de la revolución de las mujeres el sexo consistirá en estas dándose las manos, quitándose las faldas y bailando en círculo. Después todas nos dormiremos al unísono. Si no nos quedásemos dormidas, algo más podría pasar -algo masculino, objetivizador, pornográfico, ruidoso, e indigno. Algo así como un orgasmo"<br /> <br /> Si no disfruto de mi placer, si no río, si no canto, si no follo, si no toco, si no juego,<br /> "Si no puedo bailar, esta no es mi revolución"<br /> <br /> Y sin mis amigxs, "no soy nada"<br /> <br /> Están ahí si me transformo en<br /> "La bella durmiente<br /> Es el/la llamadx amante que olvida que tiene un clítoris. Cayendo en un sueño del que ni siquiera sabe la razón. El conjuro del sueño finaliza para la Bella, cuando (los amantes), gentilmente le recuerdan que ella tiene un clítoris"<br /> <br /> Quiero<br /> "Pelo.<br /> Pelo es el nombre de la gloriosa lana que cubre piernas, brazos, axilas,pubis, y partes del cuerpo. (Algunxs amantes) admiran sus diseños. Algunxs admiran sus colores o longitud. A algunxs les gusta como se distribuye por el cuerpo.<br /> Muchxs amantes envidian a aquellxs que tienen pelos fuertes y oscuros. Estos cortan su pelo para que crezca fuerte y espeso".<br /> <br /> No quiero<br /> "Ropa.<br /> El/la cantante de balada dice que cuando pregunta a lxs amantes de otrxs amantes como les gusta vestirse, dicen que no les gusta vestirse. Y realmente parece que no les gusta hacerlo".<br /> <br /> Empecemos por lo evidente: la desnudez en si misma no significa nada. (...) Pero esta increíble neutralidad se anula cuando se la relaciona con un lugar, un contexto (...) Si desnudarse para ducharse es una necesidad, una banalidad, ir a la opera o al restaurante completamente desnudx es considerado una provocación o exhibicionismo<br /> (...)<br /> A través de la historia, bajo varios pretextos, la desnudez ha sido cargada, de valor, de estándares, de tabúes. Se convirtió en escandalosa, excitante, obsesiva o inocente.<br /> (...)<br /> El lugar sirve como criterio de evaluación de la desnudez: incongruente y chocante en ciertas situaciones, ordinario o cotidiano en otras. La situación de una desnudez ordinaria o extraordinaria, espectacular o trivial, tiene el efecto de caracterizar espacios donde la desnudez tiene lugar o no.<br /> La desnudez produce lugares (...). <br /> Cuando la desnudez se expone en lugares públicos (...) produce un impacto visual y un incontestable impacto subversivo.(...)<br /> La desnudez, privada o pública, individual o colectiva, crea lugares, territorios, prácticas, se basa en reglas, en códigos, en historias, en moral e ideologías.<br /> <br /> La desnudez crea relaciones, el cuerpo crea relaciones:<br /> MI CUERPO ES UN CAMPO DE JUEGO</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=Pornotrash_Italian&diff=51 Pornotrash Italian 2014-10-05T17:05:03Z

<p>Spideralexx: Created page with "PORNO TRASH Parte I « Fin dalla nostra infanzia, ci hanno fatto vergognare del nostro corpo. Tanto per cominciare, ci impediscono di masturbarci, con pretesti (...) assurd..."</p> <hr /> <div>PORNO TRASH<br /> Parte I<br /> <br /> <br /> « Fin dalla nostra infanzia, ci hanno fatto vergognare del nostro corpo. Tanto per cominciare, ci impediscono di masturbarci, con pretesti (...) assurdi, ci impediscono di mettere i gomiti sul tavolo, ci obbligano a non restare mai nudi. Ci fanno vergognare del nostro corpo perché traduce i nostri desideri, anche quando non osiamo dirlo. Ci hanno detto : sottomettetevi nella vostra carne, portate cravatte, mutande e reggiseni, fate il saluto militare, non sdraiatevi nel prato, non sedetevi nell'ufficio del vostro capo senza essere invitati, restate seduti in classe...<br /> […]<br /> LIBERA DISPOSIZIONE DEL NOSTRO CORPO<br /> Tout ! n. 12, 23 aprile 1971, Journal du groupe « Vive la révolution » FAHR<br /> http://semgai.free.fr/contenu/archives/Tout/TOUT12.html<br /> <br /> Il nostro corpo<br /> è in relazione continua con lo spazio, <br /> quindi dobbiamo<br /> « riconoscere che gli individui nella società subiscono oppressioni legate alle loro caratteristiche fisiche »<br /> Francine Barthe-Deloizy (2003). Géographie de la nudité. Etre nu quelque part. Ed. Bréal.<br /> <br /> Il nostro corpo<br /> « segna la frontiera tra sé e gli altri […] E' un mezzo per entrare in contatto con lo spazio e per sperimentarlo » <br /> Valentine G. (2001). Social Geographies: Space and Society. New York : Prentice Hall, p. 15.<br /> <br /> Il nostro corpo <br /> è un supporto eccezionale d'esercizio della sovranità dello stato : non si governa solo la popolazione ma anche i singoli corpi, corpi produttivi e riproduttivi. <br /> <br /> Il nostro corpo è la frontiera tra l'intimo e il pubblico, lo spazio personale e individuale in cui vengono integrate o contestate le norme collettive. <br /> <br /> Il nostro corpo<br /> « non solo è nello spazio ma è spazio » <br /> Johnston L. et Longhurst R. (2010). Space, Place, and Sex: Geographies of Sexualities. Lanham MD: Rowman and Littlefield.<br /> <br /> Il nostro corpo<br /> « è anche direttamente immerso in un campo politico: i rapporti di potere operano su di lui una presa immediata, l'investono, lo marchiano, lo addestrano, lo suppliziano, [...] esigono da lui dei segni ».<br /> Michel Foucault (2005). Sorvegliare e punire. Einaudi.<br /> <br /> Il nostro corpo, <br /> « in realtà, è sempre altrove. È legato a tutti gli altrove del mondo. E, a dire il vero, è altrove solo nel mondo. [...]. Il corpo è il punto zero del mondo, là dove i percorsi e gli spazi si incrociano ».<br /> Michel Foucault (2008). Il corpo, luogo di utopia. Roma : Nottetempo. <br /> <br /> Ma il corpo delle donne<br /> « è dappertutto, affisso, filmato, publicizzato. Corpo standard, stra-normato. Non ne posso più di queste immagini del corpo, messo in scena, codificato in modo da rispettare scrupolosamente le gerarchie sociali che dividono e mettono in relazione i corpi tra di loro ». <br /> Ton corps est un champ de bataille (fanzina, Lione, 200?)<br /> <br /> La guerra condotta contro il corpo delle donne <br /> « è una guerra contro il nostro diritto di esistere così come siamo, con le nostre imperfezioni, i difetti, […] le rughe, i segni, con i tratti con i quali siamo nate e che si trasformano nel corso della vita […] ». <br /> <br /> La guerra condotta contro il corpo delle donne <br /> « è anche una guerra contro il nostro diritto a esistere semplicemente, con tutte le nostre forze, i nostri limiti, le capacità e vulnerabilità, nella nostra completa diversità e nella nostra comune umanità ».<br /> Carla Rice (1994). Des territoires occupés : nos corps. Transformer la relation à notre corps. http://tahin-party.org/textes/carlarice.pdf<br /> “ Out from Under Occupation. Transforming Our Relationships with Our Bodies ” Canadian Woman Studies/Les Cahiers de la Femme, Volume 14, Number 3 (Juillet 1994).<br /> <br /> La guerra condotta contro il corpo delle donne <br /> « è anche un conflitto sulla razza e il colore della pelle. Conflitto che si gioca attraverso stereotipi, profondamente radicati, sul valore e la bellezza della bianchezza che impregna la nostra cultura e il nostro linguaggio, e che sono utlizzati per colonizzare le persone non bianche e le società non occidentali ».<br /> Des territoires occupés : nos corps. Transformer la relation à notre corps. Carla Rice http://tahin-party.org/textes/carlarice.pdf<br /> “ Out from Under Occupation. Transforming Our Relationships with Our Bodies ” Canadian Woman Studies/Les Cahiers de la Femme, Volume 14, Number 3 (Juillet 1994).<br /> <br /> E in mezzo a tutti questi corpi, <br /> « c’è il mio corpo. Il mio corpo che sono io, che reagisce, che si immobilizza. […] Un corpo plasmato dal discorso collettivo, dal movimento, nel senso del poco sport che faccio, dal movimento nel senso di quello dei movimenti che ha fallito e che me lo scrive addosso. Polmoni che hanno respirato CS, ma testa che non è stata ancora mai rotta da un manganello. Figa penetrata da troppe persone che non ci si sarebbero dovute avvicinare, ano lavorato da lingue mani peni dildi, ma soprattutto bocca che ha dovuto ingoiare troppe volte lo schifo prodotto da questa società, il fascismo, la violenza sessista, la molestia indiscreta che si ripropone per strada, a casa, nel centro sociale. […] ».<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> <br /> « un corpo nudo<br /> non è solamente<br /> un corpo nudo<br /> è un prodotto commerciale<br /> un’arma di coscienza di massa<br /> un territorio in guerra permanente<br /> tutto dipende dal contesto<br /> in cui si mostra il corpo nudo<br /> che fa il corpo nudo<br /> di chi è il corpo nudo<br /> com’è il corpo nudo<br /> il contesto<br /> il genere<br /> la razza<br /> la classe<br /> l’età<br /> variabili della differenza<br /> variabili dell’oppressione<br /> corpo di donna<br /> corpo di donna nuda<br /> oggetto da modellare<br /> liposuzione<br /> crema<br /> depilazione<br /> intimo delicato<br /> e una borsa di vuitton<br /> corpo di donna nuda<br /> spazio da abitare<br /> [...]<br /> corpo di donna<br /> corpi poveri<br /> corpi vecchi<br /> corpi strani<br /> corpi anormali<br /> spazi da abitare,<br /> da far appropriare,<br /> per farne la LORO opera<br /> per modellarla<br /> formarla<br /> metterci il proprio marchio<br /> e se si ribella<br /> e se resiste<br /> e se non collabora con la loro oppressione<br /> è un corpo da insultare<br /> da incatenare<br /> da violentare<br /> stupro<br /> arma di distruzione di massa<br /> [...]<br /> patriarcato<br /> arma di distruzione di massa<br /> corpo di donna<br /> corpo di povera<br /> corpo di negra<br /> corpo di indigena<br /> corpi strani<br /> territori da occupare<br /> [...]<br /> territorio: ciò che è controllato da un certo tipo di potere<br /> corpo: ciò che è controllato da un certo tipo di potere<br /> quale potere?<br /> [...]<br /> Helen La Floresta« Donde yo mando », http://helenlafloresta.blogspot.fr/<br /> <br /> Il mio corpo<br /> E' UN CAMPO DI BATTAGLIA<br /> <br /> <br /> i suoi limiti disegnano l'ordine morale e il significato del mondo. Pensare il corpo è un modo per pensare il mondo.<br /> <br /> <br /> E allora io il mio mondo, il mio corpo, lo vedo, lo penso, lo creo così<br /> <br /> « Cerco le mie immagini da me. Ludiche. Ho cominciato a dipingere corpi, spesso gli stessi. Androgini. Ritmi, carezze, proiezioni di molteplici desideri, dipingere è un piacere. Una libido in atto. Ma anche il pensiero di lottare contro un'idea di annichilimento che mi logora lentamente : la malattia […]. Il corpo come luogo di sofferenza deve diventare un luogo di godimento. Non mi prenderà di sorpresa. Sono io che costruisco la mia propria abitazione in questo corpo, serenamente godendo ». <br /> Ton corps est un champ de bataille (fanzina, Lione, 200?)<br /> <br /> « […] La contrasessualità è una creazione artistica e noi siamo le artiste del punto G. La mappa del mio corpo si compone di milioni di dildo, tanti orifizi quanti sono i pori della mia pelle e potrei venire sfregandoti il collo con il naso, mentre mi penetri inaspettatamente un punto considerato impenetrabile. Stolto quello che un giorno mi disse “Sì ma con l’incavo del braccio di sicuro non vengo”. Lo abbiamo confutato. Collettivamente, con la pelle, con le mani con la testa ».<br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> <br /> « Gli spazi di libertà che i corpi si prendono sono a volte inaspettati nella loro imprevedibilità di fronte al potere ». <br /> http://retroguard1a.noblogs.org/post/2012/12/15/cosa-puo-un-corpo/<br /> <br /> Per questo<br /> « Ho cominciato a praticare le SM come bottom e continuo a mettere le gambe all'aria ogni tanto. […] Oltre ad essere sadica sono pure feticista del cuoio. Se non ricordo male, [...] è un'altra delle cose che le donne non dovrebbero fare […]. [Quindi] io sono per forza di cose ossessionata dal sesso e le vere lesbiche non sono ossessionate dal sesso. […] Se ho ben capito, dopo la rivoluzione delle donne, la sessualità delle donne consisterà nel darsi la mano, togliere la camicetta e danzare sorridenti in cerchio. Poi tutte si addormenteranno insieme. Se non si addormenteranno tutte nello stesso tempo, potrebbe succede qualcos'altro – qualche cosa di assimilato agli uomini, d'oggettivante, di pornografico, [...] e che manca di dignità. Qualche cosa come un orgasmo »<br /> Pat Califia (1979). La face cachée de la sexualité lesbienne. In Sexe et utopie. Parigi : La Musardine. Vers. or. A Secret Side of Lesbian Sexuality. In Public sex : the culture of radical sex, Pittsburgh, Pa. : Cleis Press, 1994.<br /> <br /> Se non godo, se non rido, se non canto, se non scopo, se non tocco, se non gioco, <br /> « se non posso ballare, allora non è la mia rivoluzione »<br /> Emma Goldman<br /> <br /> E se non ci sono le mie amiche, « io non sono niente ». <br /> Diana Pornoterrorista<br /> <br /> Loro sono lì se mi traformo nella<br /> « La bella addormentata nel bosco.<br /> Si dice di solito di un'amante che si è dimenticata di avere una clitoride. Cade allora in una specie di sonnolenza di cui nemmeno lei conosce il motivo. Può restare in questo stato per un lasso di tempo indeterminato. Si sa di una bella addormentata nel bosco particolarmente solitaria [...]. Cento anni sono passati prima che una amante non la trovasse nel corso di una passeggiata. Lo stato di sonnolenza volge alla fine per la bella quando [le amanti] le ricorda(no) con delicatezza che ha una clitoride » <br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset<br /> <br /> Voglio<br /> « Peli<br /> Si chiamano peli il glorioso vello che ricopre le gambe, le braccia, le ascelle, il pube e parte del corpo. [Alcune amanti] ammirano i disegni che essi formano. Certe ammirano il colore dei peli o la loro lunghezza. Certe ammirano come essi si distribuiscono sul corpo. Per molte amanti sono da invidiare coloro che hanno peli vigorosi e neri. Queste tagliano i propri peli perché ricrescano più forti e spessi ».<br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset,<br /> <br /> Non voglio<br /> « Vestiti<br /> Le cantastorie dicono che quando capita di chiedere alle amanti dei popoli delle amanti come piaccia loro vestirsi, queste dicono che non le piace farlo e pare proprio che [sia così] ».<br /> Wittig, Monique e Sande Zeig (1976). Brouillon pour un dictionnaire des amantes. Parigi : Grasset.<br /> <br /> « Cominciamo con un'evidenza : la nudità in sé non significa niente e si riduce, alla fine, ad essere uno stato, quello di un corpo [...]. Ma questa incredibile neutralità si cancella nel momento in cui la si mette in relazione ad un luogo, un contesto [...]. Spogliarsi per fare la doccia è considerata una necessità, una banalità, andare all'opera o al ristorante completamente nud è considerato esibizionismo o provocazione. […]. La nudità si riassume allora a questo binomio individuo/collettivo-privato/pubblico che regola le pratiche sociali ?<br /> […] <br /> Nel corso della storia e con vari pretesti, la nudità è stata caricata di valori, norme, tabù. E' diventata scandalosa, eccitante, morbosa o innocente. Costituisce l'elemento di un vocabolario, di un linguaggio che aiuta a capire le società nelle quali si mostra [...].<br /> […] <br /> Il luogo serve da criterio di valutazione della nudità : incongruo e shoccante in certe situazioni, ordinario e quotidiano in altre. Questa situazione di nudo ordinario o eccezionale, spettacolare o banale ha per effetto di caratterizzare i luoghi nei quali la nudità ha il suo posto o no. <br /> <br /> La nudità produce luoghi […]. <br /> <br /> Quando la nudità fa irruzione nello spazio pubblico […] produce un formidabile impatto visuale e un effetto sovversivo incontestabile. […]<br /> La nudità, individuale o collettiva, privata o pubblica, crea luoghi, territori, pratiche, lavora sulle norme, sui codici, sulle storie, sulla morale e le ideologie ».<br /> Francine Barthe-Deloizy (2003). Géographie de la nudité. Etre nu quelque part. Ed. Bréal.<br /> <br /> La nudità produce relazioni, il mio corpo produce relazioni<br /> <br /> IL MIO CORPO E' UN CAMPO GIOCHI</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=Pornotrash&diff=50 Pornotrash 2014-10-05T17:04:08Z

<p>Spideralexx: </p> <hr /> <div>English version below<br /> <br /> Pornotrash fue una performace que se desarrollo durante el cabaret Transfuturistic Cyborgs. Este se desarrollo el sabado 9 de Agosto para clausurar el encuentro THF. <br /> <br /> Puedes encontrar mas abajo los enlaces hacia las traducciones varias del texto performado por Raquele, Lucy y Slavina. <br /> <br /> +++++++++++++++++++++++++++++++++++<br /> <br /> Pornotrash has been a performance that took place during the Transfuturistic Cyborgs Cabaret that was held on Saturday 9th of August as the event closing the THF.<br /> <br /> You can find below the text that was read by Raquele, Lucy and Slavina during the performce. <br /> <br /> [[Pornotrash Italian]]<br /> [[Pornotrash Spanish]]<br /> [[Pornotrash English]]</div>

Spideralexx https://alexandria.anarchaserver.org/index.php?title=Pornotrash&diff=49 Pornotrash 2014-10-05T17:03:43Z

<p>Spideralexx: Created page with "English version below Pornotrash fue una performace que se desarrollo durante el cabaret Transfuturistic Cyborgs. Este se desarrollo el sabado 9 de Agosto para clausurar el e..."</p> <hr /> <div>English version below<br /> <br /> Pornotrash fue una performace que se desarrollo durante el cabaret Transfuturistic Cyborgs. Este se desarrollo el sabado 9 de Agosto para clausurar el encuentro THF. <br /> <br /> Puedes encontrar mas abajo los enlaces hacia las traducciones varias del texto performado por Raquele, Lucy y Slavina. <br /> <br /> <br /> Pornotrash has been a performance that took place during the Transfuturistic Cyborgs Cabaret that was held on Saturday 9th of August as the event closing the THF.<br /> <br /> You can find below the text that was read by Raquele, Lucy and Slavina during the performce. <br /> <br /> [[Pornotrash Italian]]<br /> [[Pornotrash Spanish]]<br /> [[Pornotrash English]]</div>

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